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ISEA2010 RUHR Conference
P33 Media Architectures
Thur 26 August 2010
13:00–14:30h
Volkshochschule Dortmund, L 103
Moderated by Timothy Druckrey
- 13:00h | Joonsung Yoon, Suk Chon, Hoyeon Lee, Jangwon Lee (kr): Superimposition of Old and New Media. Light Wall on Seoul Museum of Art Project
- 13:25h | Michael Pinsky (gb): Public Programming. Exploring the Power of New Technologies to Augment the Relational Aspects of Art within the Public Realm
- 13:50h | JeongHo Park (de): Silhouette Interference
ISEA2010 Conference Proceedings | P33 Media Architectures (PDF, 175.48 KB)
Joonsung Yoon, Suk Chon, Hoyeon Lee, Jangwon Lee (kr)
Superimposition of Old and New Media. Light Wall on Seoul Museum of Art Project
This paper introduces 3D projection project, Light Wall on Seoul Museum of Art. On the façade of the over 100 year old building, 3D animated art work is projected, calculating and using the complicated contour as a part of a 3D artwork. The decorative façade is not suitable for a usual projection, but the project pronounces loudly the traditional façade using digital-based registration technology. This project does not tone down the physical existence for the virtual image, but makes reality intermix with the virtual.
Dr. Joonsung Yoon is professor of Soongsil University, the Global School of Media. His research field is theory and practice of media art. (B.S.1989: Sogang University, M.F.A.1993: Hongik University, M.A.1996; Ph.D.2001: New York University)
Suk Chon is in Ph.D. candidate in the Global School of Media, the graduate school of Soongsil University. He is in the major of media art.
Hoyeon Lee is in Ph.D. candidate in the Global School of Media, the graduate school of Soongsil University. He is in the major of computer graphics.
Michael Pinsky (gb)
Public Programming. Exploring the Power of New Technologies to Augment the Relational Aspects of Art within the Public Realm
New media, particularly the development of digital art has redefined notions of public space, a parallel virtual network in which art can be developed and presented. The artistic intervention and its context are consistent, framed within the same paradigm. Contrary to this virtual world, my interests lie within the real world encounter, how new technologies provide a new relational platform that interweaves the participants and the artwork. The viewer/contributor can enter the work though a process of documentation and manipulation during the early stages of an artworks evolution, or at the point of its presentation, where the participant provides the final kinetic extension of the artwork.
Michael Pinsky has created challenging works exploring issues shaping our public realm. He has shown at the TATE, Saatchi Gallery, ICA, BALTIC, Liverpool Biennial, CCC, Tours; Armory Center of the Arts, LA and the Rotterdam International Architectural Biennial. Dr Pinsky, a graduate from the Royal College of Art, has received numerous awards including: RSA, Art and Architecture, Arts & Business, Wellcome Trust and was shortlisted for the Gulbenkian Museums Award.
JeongHo Park (de)
Silhouette Interference
- Realtime Interactive Video Installation.
- The movement of the audience will be recorded in real time.
- Recorded video images are synthesized with a silhouette of the architecture in Trier, and is a projection.
- All work is done on a random.
- Windows and the people, and various architectural elements of everyday life as they are projected.
- Exhibition space in one building made with human beings and human relationships is the story.
- Architecture image is displayed can vary depending on location
ISEA2010 Conference Proceedings | Silhouette Interference (PDF)
JeongHo Park is a student in Intermediales Design in FH-Trier, Germany. He has a B.Sc. (Civil Engineering, Yonsei Univ.) and a M.A. (Music Technology, KNUA.) in Korea. His works are based on media, music and interactive Design. He is doing research in architecture, media and code art.
Further Information: jeonghopark
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